The Great Works of Apepi at Tanis

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In another respect, too, if he has not misrepresented the rule of the "Shepherd Kings," he has failed to do it justice. He has painted in lurid colours the advent of the foreign race, the war of extermination in which they engaged, the cruel usage to which they subjected the conquered people; he has represented the invaders as rude, savage, barbarous, bent on destruction, careless of art, the enemies of progress and civilization. He has neglected to point out, that, as time went on, there was a sensible change. The period of constant bitter hostilities came to an end. Peace succeeded to war. In Lower Egypt the "Shepherds" reigned over quiet and unresisting subjects; in Upper Egypt they bore rule over submissive tributaries. Under these circumstances a perceptible softening of their manners and general character took place. As the Mongols and the Mandchus in China suffered themselves by degrees to be conquered by the superior civilization of the people whom they had overrun and subdued, so the Hyksôs yielded little by little to the influences which surrounded them, and insensibly assimilated themselves to their Egyptian subjects. They adopted the Egyptian dress, titles, official language, art, mode of writing, architecture. In Tanis, especially, temples were built and sculptures set up under the later "Shepherd Kings," differing little in their general character from those of purely Egyptian periods. The foreign monarchs erected their effigies at this site, which were sculptured by native artists according to the customary rules of Egyptian glyptic art, and only differ from those of the earlier native Pharaohs in the head-dress, the expression of the countenance, and a peculiar arrangement of the beard. A friendly intercourse took place during this period between the kings of the North, established at Tanis and Memphis, and those of the South, resident at Thebes; frequent embassies were interchanged; and blocks of granite and syenite were continually floated down the Nile, past Thebes, to be employed by the "Shepherds" in their erections at the southern capitals.

Bust of A Shepherd King

The "Shepherds" brought with them into Egypt the worship of a deity, whom they called Sut or Sutekh, and apparently identified with the sun. He was described as "the great ruler of heaven," and identified with Baal in later times. The kings regarded themselves as especially under his protection. At the time of the invasion, they do not seem to have considered this deity as having any special connection with any of the Egyptian gods, and they consequently made war indiscriminately against the entire Egyptian Pantheon, plundering and demolishing all the temples alike. But when the first burst of savage hostility was gone by, when more settled times followed, and the manners and temper of the conquerors grew softened by pacific intercourse with their subjects, a likeness came to be seen between Sutekh, their own ancestral god, and the "Set" of the Egyptians. Set in the old Egyptian mythology was recognized as "the patron of foreigners, the power which swept the children of the desert like a sand-storm over the fertile land." He was a representative of physical, but not of moral, evil; a strong and powerful deity, worthy of reverence and worship, but less an object of love than of fear. The "Shepherds" acknowledged in this god their Sutekh; and as they acquired settled habits, and assimilated themselves to their subjects, they began to build temples to him, after the Egyptian model, in their principal towns. After the dynasty had borne rule for five reigns, covering the space perhaps of one hundred and fifty years, a king came to the throne named Apepi, who has left several monuments, and is the only one of the "Shepherds" that stands out for us in definite historical consistency as a living and breathing person. Apepi built a great temple to Sutekh at Zoan, or Tanis, his principal capital, composed of blocks of red granite, and adorned it with obelisks and sphinxes. The obelisks are said to have been fourteen in number, and must have been dispersed about the courts, and not, as usual, placed only at the entrance. The sphinxes, which differed from the ordinary Egyptian sphinx in having a mane like a lion and also wings, seem to have formed an avenue or vista leading up to the temple from the town. They are in diorite, and have the name of Apepi engraved upon them.